Ashton Drake Collectible Doll

Throughout the years, paper dolls have consistently been an inexpensive way for little girls to pretend and play. Our new book, Paper Dolls of the 1960s, 1970s, and 1980s provides a comprehensive guide, documenting over 1,000 beautiful paper dolls. It covers three specific decades in history and carries information pertaining to the collecting, upkeep, and preservation of paper dolls. The book pinpoints where you can find vintage paper dolls to add to or start your collection. Each paper doll set shown includes photos of the book or box cover, a shot of the doll, and a sampling of clothing for each paper doll set. An up-to-date price guide accompanies each set, based on the research of the author through books, eBay, and her own experience in pursuit of her collection. A helpful photo index is also provided so the collector can easily look up a paper doll. This book is a helpful tool for the collector and will provide and an informative, fun, and easy way to identify and value your paper doll collection.

It is well known that the Royal Collection contains an outstanding range of dolls and dolls' houses. The story told here concerns two very special dolls -- France and Marianne -- which were given to Queen Elizabeth and Princess Margaret in 1938, when they were, respectively, twelve and eight years old. Intended as a tangible expression of the Entente Cordiale between Great Britain and France on the eve of World War II, the dolls and their trousseaux also acted as a showcase for the French fashion industry and the elegant world of Parisian haute couture. Faith Eaton, the well-known writer and lecturer on the subject of dolls and doll collecting, here describes the historical events leading up to the presentation of the dolls, their creation in the world-famous Jumeau factory, and the preparation of their vast collection of designer dresses, fur coats, hats, shoes, and miniature accessories. Contributions came from the most prestigious fashion houses of the day, including Lanvin and Cartier, Hermes and Vuitton, and the excellence of their work is clearly seen in the book's specially commissioned photography. In her final chapter Eaton describes her own delicate conservation work, carried out over the years, to maintain the dolls' original perfection.